Concluding the reading of this chapter, it is not entirely clear how Winters intends the reader to interpret architecture as a partner of existentialism. It is stated that the existence of this concept is rare, as in our society only those who are entirely aware of their complete freedom to make choices during every second of their life are truly happy. According to the book, the bourgeois live passively, accepting what is handed to them without questioning it.
This is the point in which I was able to relate the theme of the chapter to architecture. If architecture is seen through the same perspective it can be argued that future designs must not follow the current trends and norms, otherwise they will meet the same fate at the bourgeois; existing as a passing element that remains unnoticed.
Manhattan Skyscrapers - the soaring buildings follow the same design pattern resulting in a lack of character and presence in the architecture
(image source: http://www.flickr.com/photos/66080755@N06/7223095112/)
Guell Park by Gaudi - by creating innovative designs that rebel against the current norm while maintaining functionality, the architecture emits vibrancy and life that can be felt by those around it
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